The Highwayman
by Alfred Noyes (1880-1958)
The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding .. Riding .. riding ..
The highwayman came riding, up to the old inn-door.
He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doeskin:
They fitted with never a wrinkle; his boots were up to the thigh!
And he rode with a jewelled twinkle, His pistol buttes a-twinkle,
His rapier hild a-twinkle, under the jewelled sky.
Over the cobbles he clattered and clashed in the dark inn-yard,
And he tapped with his whip on the shutters,
but all was locked and barred:
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter, Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.
And dark in the dark old inn-yard a stable-wicket creaked
Where Tim, the ostler, listened; his face was white and peaked,
His eyes were hollows of madness, his hair like moldy hay;
But he loved the landlord's daugher, The landlord's red-lipped
daughter:
Dumb as a dog he listened, and he heard the robber say ....
"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light.
Yet if they press me sharply, and harry me through the day,
Then look for me by moonlight, Watch for mke by moonlight:
I'll come to thee by moonlight, though Hell should bar the way."
He rose upright in the stirrups, he scarce could reach her hand;
But she loosened her hair i'the casement! His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight)
and galloped away to the West.
He did not come in the dawning; he did not come at noon;
And out of the tawny sunset, before the rise o' the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching .. Marching .. marching ..
King George's men came marching, up to the old inn-door.
They said no word to the landlord, they drank his ale instead;
But they gagged his daughter and bound her to the foot of her narrow
bed.
Two of them knelt at ther casement, with muskets at the side!
There was dathe at every window; And Hell at one dark window;
For Bess could see, through her casement, the road that he would ride.
They had tied her up to attention, with many a sniggering jest:
They had bound a musket beside her, with the barrel beneath her
breast!
"Now keep good watch!" and they kissed her. She heard the dead man
say..
Look for me by moonlight; Watch for me by moonlight;
I'll come to thee by moonlight, though Hell should bar the way!
She twisted her hands behind her; but all the knots held good!
She writhed her hads till her fingers were wet with sweat or blood!
They stretched and strained in the darkness, and the hours crawled by
like years;
Till, now, on the stroke of midnight, Cold on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!
The tip of one finger touched it; she strove no more for the rest!
Up, she stood up to attention, with the barrel beneath her breast,
She would not risk their hearing: she would not strive again;
For the road lay bare in the moonlight, Blank and bare in the
moonlight;
And the blood of her veins in the moonlight throbbed to her Love's
refrain.
Tlot-tlot, tlot-tlot! Had they heard it? The horse-hoofs ringing
clear ..
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did
not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding, Riding, riding!
The red-coats looked to their priming! She stood up straight and
still!
Tlot-tlot, in the frosty silence; Tlot-tlot in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight, Her musket shattered the
moonlight,
Shattered her breast in the moonlight and warned him .. with her
death.
He turned; he spurred him Westward; he did not know who stood
Bowed with hyer head o'er the musket, drenched with her own red blood!
Not till the dawn he heard it, and slowly blanched to hear
How Bess, the landlord's daugher, The landlord's black-eyed daughter,
Had watched for her Love in the moonlight; and died in the darness
there.
Back, he spurred like a madman, shrieking a curse to the sky,
With the white road smoking behind him, and his rapier brandished
high!
Blood-red were his spurs i' the golden noon; wine-red was his velvet
coat;
When they shot him down on the highway, Down like a dog on the
highway,
And he lay in his blood on the highway, with the bunch of lace at his
throat.
And still a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding .. Riding .. riding ..
A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard;
And he taps with his whip on the shutters, but all is locked and
barred:
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daugher, Bess, the landlord's daughter,
Plaiting a dark red love-know in her long black hair.
A description of love
By: Sir Walter Raleigh
Now what is love? I pray thee, tell.
It is that fountain and that well
Where pleasure and repentance dwell.
It is perhaps the sauncing bell
That tolls all into heaven or hell:
And this is love, as I hear tell.
Yet what is love? I pray thee say.
It is a work on holy-day;
It is December matched with May;
When lusty bloods, in fresh array,
Hear ten months after of the play:
And this is love, as I hear say.
Yet what is love? I pray thee sain.
It is a sunshine mixed with rain;
It is a tooth-ache, or like pain;
It is a game where none hath gain;
The lass saith no, and would full fain:
And this is love, as I hear sain.
Yet what is love? I pray thee say.
It is a yea, it is a nay,
A pretty kind of sporting fray;
It is a thing will soon away;
Then take the vantage while you may:
And this is love, as I hear say.
Yet what is love, I pray thee show.
A thing that creeps, it cannot go;
A prize that passeth to and fro;
A thing for one, a thing for mo;
And he that proves must find it so:
And this is love, sweet friend, I trow.
~~~~~~~~~
~~~~~~~~~
The nymph's reply to the shepherd
By: Sir Walter Raleigh
If all the world and love were young,
And truth in every shepherd's tongue,
These pretty pleasures might me move
To live with thee and be thy love.
Time drives the flocks from field to fold
When rivers rage and rocks grow cold,
And Philomel becometh dumb;
The rest complains of cares to come.
The flowers do fade, and wanton fields
To wayward winter reckoning yields;
A honey tongue, a heart of gall,
Is fancy's spring, but sorrow's fall.
The gowns, thy shoes, thy beds of roses,
Thy cap, thy kirtle, and thy posies
Soon break, soon wither, soon forgotten,—
In folly ripe, in reason rotten.
Thy belt of straw and ivy buds,
Thy coral clasps and amber studs,
All these in me no means can move
To come to thee and be thy love.
But could youth last and love still breed,
Had joys no date nor age no need,
Then these delights my mind might move
To live with thee and be thy love.
~~~~~~~~~
~~~~~~~~~
[ no title ]
By: Emily Dickinson
The bustle in the house
The morning after death
Is solemnest of industries
Enacted upon earth.
The sweeping of the heart
And the putting love away
That we shall not use again
Until eternity.
The Owl Critic
by James T. Fields (1817-1881
"Who stuffed that white owl?" No one spoke in the shop,
The barber was busy, and he couldn't stop;
The custovers, waiting their turns, were all reading
The "Daily," the "Herald," the "Post," little heeding
The young man who blurted out such a blunt question;
Not one raised a head, or even made a suggestion;
And the barber kept on shaving.
"Don't you see, Mr. Brown,"
Cried the youth, with a frown,
"How wrong the whole thing is,
How preposterous each wing is,
How flattened the head is, how jammed down the neck is...
In short, the whole owl, what an ignorant wreck 't is!
I make no apology;
I've learned owl-ecology.
I've passed days and nights in a hundred collections,
And cannot be blinded to any deflections
Arising from unskillful fingers that fail
To stuff a bird right, from his beak to his tail.
Mister Brown! Mister Brown!
Do take that bird down,
Or you'll soon be the laughing-stock all over town!"
And the barber kept on shaving.
"I've studied owls,
And other night-fowls,
And I tell you
What I know to be true;
An owl cannot roost
With his limbs so unloosed;
No owl in this world
Ever had his claws curled,
Ever had his legs slanted,
Ever had his bill canted,
Ever had his neck screwed
Into that attitude.
He can't do it, because
'Tis against all bird-laws.
Anatomy teaches,
Ornithology preaches,
An owl has a toe
That can't turn out so!
I've made the white owl my study for years,
And to see such a job almost moves me to tears!
Mr. Brown, I'm amazed
You should be so gone crazed
As to put up a bird
In that posture absurd!
To look at that owl really brings on a dizziness
The man who stuffed him don't half know his business!"
And the barber kept on shaving.
"Examine those eyes.
I'm filled with surprise
Taxidermists shouls pass
Off on you such poor glass;
So unnatural they seem
They'd make Audubon scream,
And John Burroughs laugh
To encounter such chaff.
Do take that bird down;
Have him stuffed again, Brown!"
And the barber kept on shaving.
"With some sawdust and bark
I could stuff in the dark
An owl better than that
I could make an old hat
Look more like an owl
Than that horrid fowl,
Stuck up there so stiff like a side of coarse leather.
In fact, aboaut him, there's not one natural feather."
Just then, with a wink and a sly normal lurch,
The owl, very gravely, got down from his perch,
Walked around, and regarded his fault-finding critic
(Who thought he was stuffed) with a gance analytic,
And then fairly hooted, as if he should say;
"Your learning's at fault this time, anyway;
Don't waste it again on a live bird, I pray.
Im' an owl; you're another. Sir Critic, good day!"
And the barber kept on shaving.
Shakespear
For her griefs so lively shown,
Made me think upon mine own
Ah thought I, thou mourn'st in vain;
None take pity on thy pain:
Senseless trees, they cannot herar thee.
King Pandion, he is dead;
All thy friends are lapp'd in lead;
All thy fellow-birds do sing,
Careless of thy sorrowing.
Even so, poor bird, like thee,
None alive will pity me.
Whilst as fickle fortune smil'd,
Thou and I were both beguil'd
Every one that flatters thee
Is no friend in misery.
Words are easy like the wind;
Faithful friends are hard to find.
Every man will be thy friend,
Whilst thou hast wherewith to spend;
But if store of crowns be scant,
No man will supply thy want.
If that one be prodigal,
Bountiful they will him call:
And with such-like flattering
'Pity but he were a king.'
If he be addict to vice,
Quickly him they will entice;
If to women he be bent,
They have him at commandement;
But if fortune once do frown,
Then farewell his great renown:
They that fown'd on him before,
Use his company no more.
He that is thy friend indeed,
He will help thee in thy need;
If thou sorrow, he will weep;
If thou wake, he cannot sleep:
Thus of every grief in heart
He with thee doth bear a part.
These are certain signs to know
Faithful friend from flattering foe.
The Road Not Taken
By: Robert Frost
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;
Then took the other, as just as fair
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that, the passing there
Had worn them really about the same,
And both that morning equally lay
In leaves no step had trodden black
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I --
I took the one less traveled by,
And that has made all the difference.
Nothing Gold Can Stay
By: Robert Frost
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
Beauty and Beauty
By: Rupert Brooke
When Beauty and Beauty meet
All naked, fair to fair,
The earth is crying-sweet,
And scattering-bright the air,
Eddying, dizzying, closing round,
With soft and drunken laughter;
Veiling all that may befall
After -- after --
Where Beauty and Beauty met,
Earth's still a-tremble there,
And winds are scented yet,
And memory-soft the air,
Bosoming, folding glints of light,
And shreds of shadowy laughter;
Not the tears that fill the years
After -- after --
The Charm
By: Rupert Brooke
In darkness the loud sea makes moan;
And earth is shaken, and all evils creep
About her ways.
Oh, now to know you sleep!
Out of the whirling blinding moil, alone,
Out of the slow grim fight,
One thought to wing -- to you, asleep,
In some cool room that's open to the night
Lying half-forward, breathing quietly,
One white hand on the white
Unrumpled sheet, and the ever-moving hair
Quiet and still at length! . . .
Your magic and your beauty and your strength,
Like hills at noon or sunlight on a tree,
Sleeping prevail in earth and air.
In the sweet gloom above the brown and white
Night benedictions hover; and the winds of night
Move gently round the room, and watch you there.
And through the dreadful hours
The trees and waters and the hills have kept
The sacred vigil while you slept,
And lay a way of dew and flowers
Where your feet, your morning feet, shall tread.
And still the darkness ebbs about your bed.
Quiet, and strange, and loving-kind, you sleep.
And holy joy about the earth is shed;
And holiness upon the deep.
The Raven
By: Edgar Allan Poe
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
'Tis some visitor,' I muttered, 'tapping at my chamber door-
Only this, and nothing more.'
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more.'
Presently my soul grew stronger; hesitating then no longer,
'Sir,' said I, 'or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you'- here I opened wide the door;-
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering,
fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, 'Lenore!'
This I whispered, and an echo murmured back the word, 'Lenore!'-
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
'Surely,' said I, 'surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
'Tis the wind and nothing more.'
Open here I flung the shutter, when, with many a flirt and
flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed
he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
'Though thy crest be shorn and shaven, thou,' I said, 'art sure no
craven,
Ghastly grim and ancient raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night's Plutonian shore!'
Quoth the Raven, 'Nevermore.'
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as 'Nevermore.'
But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, 'other friends have flown
before-
On the morrow he will leave me, as my hopes have flown before.'
Then the bird said, 'Nevermore.'
Startled at the stillness broken by reply so aptly spoken,
'Doubtless,' said I, 'what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of 'Never- nevermore'.'
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and
door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking 'Nevermore.'
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamplight gloated o'er,
But whose velvet violet lining with the lamplight gloating o'er,
She shall press, ah, nevermore!
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
'Wretch,' I cried, 'thy God hath lent thee- by these angels he
hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!'
Quoth the Raven, 'Nevermore.'
'Prophet!' said I, 'thing of evil!- prophet still, if bird or
devil!-
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!'
Quoth the Raven, 'Nevermore.'
'Prophet!' said I, 'thing of evil- prophet still, if bird or
devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore.'
Quoth the Raven, 'Nevermore.'
'Be that word our sign in parting, bird or fiend,' I shrieked,
upstarting-
'Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my
door!'
Quoth the Raven, 'Nevermore.'
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamplight o'er him streaming throws his shadow on the
floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!
Annabel Lee
By: Edgar Allan Poe
It was many and many a year ago,
In a kingdom by the sea,
That a maiden there lived whom you may know
By the name of ANNABEL LEE;
And this maiden she lived with no other thought
Than to love and be loved by me.
I was a child and she was a child,
In this kingdom by the sea;
But we loved with a love that was more than love-
I and my Annabel Lee;
With a love that the winged seraphs of heaven
Coveted her and me.
And this was the reason that, long ago,
In this kingdom by the sea,
A wind blew out of a cloud, chilling
My beautiful Annabel Lee;
So that her highborn kinsman came
And bore her away from me,
To shut her up in a sepulchre
In this kingdom by the sea.
The angels, not half so happy in heaven,
Went envying her and me-
Yes!- that was the reason (as all men know,
In this kingdom by the sea)
That the wind came out of the cloud by night,
Chilling and killing my Annabel Lee.
But our love it was stronger by far than the love
Of those who were older than we-
Of many far wiser than we-
And neither the angels in heaven above,
Nor the demons down under the sea,
Can ever dissever my soul from the soul
Of the beautiful Annabel Lee.
For the moon never beams without bringing me dreams
Of the beautiful Annabel Lee;
And the stars never rise but I feel the bright eyes
Of the beautiful Annabel Lee;
And so, all the night-tide, I lie down by the side
Of my darling- my darling- my life and my bride,
In the sepulchre there by the sea,
In her tomb by the sounding sea.
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